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Tontine Street Studios

In Folkestone, Kent

Address

19 Tontine Street, Folkestone, CT20 1JT

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Folkestone is a Library – Spotlight Event ‘The power of being heard’
Community

Folkestone is a Library – Spotlight Event ‘The power of being heard’

Join us for an evening of ideas, stories and good conversation as we take a closer look at Folkestone is a Library and the people bringing it to life. Doors open from 6pm. Our quarterly Spotlight Events shine a light on local and national voices working across storytelling in all its forms, alongside projects and moments tied to key dates in the literary calendar. Guest speakers: Tanzidah Islam, Richard Martin, James Collie and Lydia Hibbert Tanzidah Islam, Cultural Programmes & Events Lead at SD Projects, working at the intersection of art, technology and architecture, hosting events to enrich minds and widen accessibility to subaltern knowledge. The Reading Room, situated at the Old Post Office, Tontine St, is slowly growing with books from guest speakers and local people, ranging from art and poetry to history and children's books. Check out the SD Projects instagram and website for more information: @sdprojects.uk www.sdprojects.uk. Richard Martin is Chief Executive Officer at the charity Touchbase Care, a welcoming community space where disabled adults come to learn, create, socialise and build independence, based in the Creative Quarter. Touchbase supports people to live with confidence, connection and a strong sense of belonging, guided by its belief that everyone deserves to be seen, heard and valued within their community.

Wed 7 Oct18:00Tontine Street Studios
Cloud Chamber: Gavin Greenaway and Caroline Dale
Live Music

Cloud Chamber: Gavin Greenaway and Caroline Dale

Cloud Chamber is the newly formed duo of Gavin Greenaway (piano) and Caroline Dale (cello), internationally renowned performers whose careers span more than 30 years at the forefront of film and concert music. Inhabiting a space between traditional ‘classical’ music and the neo-classical music of today, Cloud Chamber make music which is melodic and lyrical – ‘stories without words’ full of emotion and colour. Emmy award winning composer, Gavin Greenaway has conducted over 200 film scores (Gladiator, How to Train Your Dragon, Wicked, Interstellar) and orchestral recordings for Sir George Martin and Sir Paul McCartney. He has composed music for the theatre, TV and film, as well as the Vancouver Winter Olympics, the Queen’s Diamond Jubilee, songs with Bryan Adams and two solo albums of his own piano music. From 2018 to 2024 he was conductor of “The World of Hans Zimmer” arena show, leading the orchestra, choir and soloists in over 100 performances throughout Europe. Caroline Dale has a wide-ranging career both in the studio and on the live stage, performing with: the Nigel Kennedy and Balanescu Quartets, the English Chamber Orchestra, David Gilmour, David Gray, U2, and Sinead O’Connor; as concerto soloist with the LPO, RPO and RLPO; featuring on film scores, such as Atonement, Hilary and Jackie (about the life of Jacqueline du Pre) and Truly Madly Deeply. Her solo album Such Sweet Thunder combines classical repertoire with her own compositions.

Fri 9 Oct19:30Tontine Street Studios

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Kiiōtō feat. Lou Rhodes of Lamb
Live Music

Kiiōtō feat. Lou Rhodes of Lamb

Kiiōtō’s second album, Black Salt, casts the net wide and deep in the stories it tells. Debut single Butterfly is a dark and brooding critique of a narcissist, its prowling bass, angular chords and bell motif creating a claustrophobic chill. In contrast, Zero Gravity – inspired by Samantha Harvey’s Booker Prize winning novel “Orbital”- zooms out into space, reflecting upon the transformational experience of orbiting Earth, its heartbeat intro giving way to brush drums and stacked vocal refrain. Little Axe tells of the challenges of raising young men amidst the threat of violence in urban life, set to soulful guitar and congas, while White Noise highlights the hold of social media on the modern mind, in staccato rhythm and abtsract piano. Lost Map reflects on the results of DNA tests the duo took in search of a deeper understanding of their disparate heritages, against a backdrop of spacious piano and muted trumpet. Closing track Five Eight, conveys the aching loss of Heath’s mother, Rhodes’ vocal stripped bare over shimmering Wurlitzer. Throughout, the arrangements remain spare and bold, leaning into jazz, broken beat and soul textures, with references as diverse as Carole King, Khruangbin and Alice Coltrane. The resulting album is impossible to define by genre, but is fused by the unique interplay of Heath’s melodic sensibilities and Rhodes inimitable voice.

Thu 22 Oct19:30Tontine Street Studios

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