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Kiiōtō feat. Lou Rhodes of Lamb

Kiiōtō’s second album, Black Salt, casts the net wide and deep in the stories it tells. Debut single Butterfly is a dark and brooding critique of a narcissist, its prowling bass, angular chords and bell motif creating a claustrophobic chill. In contrast, Zero Gravity – inspired by Samantha Harvey’s Booker Prize winning novel “Orbital”- zooms out into space, reflecting upon the transformational experience of orbiting Earth, its heartbeat intro giving way to brush drums and stacked vocal refrain. Little Axe tells of the challenges of raising young men amidst the threat of violence in urban life, set to soulful guitar and congas, while White Noise highlights the hold of social media on the modern mind, in staccato rhythm and abtsract piano. Lost Map reflects on the results of DNA tests the duo took in search of a deeper understanding of their disparate heritages, against a backdrop of spacious piano and muted trumpet. Closing track Five Eight, conveys the aching loss of Heath’s mother, Rhodes’ vocal stripped bare over shimmering Wurlitzer. Throughout, the arrangements remain spare and bold, leaning into jazz, broken beat and soul textures, with references as diverse as Carole King, Khruangbin and Alice Coltrane. The resulting album is impossible to define by genre, but is fused by the unique interplay of Heath’s melodic sensibilities and Rhodes inimitable voice.